Friday, June 25, 2010

Semi Precious Weapons - You Love You

Earlier this year, I wrote about a band named Semi Precious Weapons.  I was amazed by their style.  They have the hooks and melodies for pop music, but they don't play pop music.  They perform rock music.  Not just any kind of rock, but the kind with insane fashion and guitar riffs.  It's glam rock.  They're fronted by Justin Tranter, one unique vocalist.  Add in a drummer, Dan Crean.  Then a bassist and guitarist, Cole Whittle and Stevy Pyne, and you have the Semi Precious Weapons.

The album opener is the first single and eponymous track, "Semi Precious Weapons".  The rock 'n' roll riff that starts the song is a good taste of what's to come.  To go side by side with the riff is the opening line, the lyrics that tell you what the band's about.  "I can't pay my rent, but I'm f****** gorgeous."  This is what Semi Precious Weapons is about.  On "Put A Diamond In It", Tranter sings of violence and glamour.  Unlike most other vocalists who would attempt such lyrical themes, Tranter can get away with it.  His wardrobe, which consists mostly of fishnets, heels and leather, adds to the "in your face" glam style of their music.  The epic, "Rock N Roll Never Looked So Beautiful",  explains it all.

Besides the wild glam rock, the album contains some down-tempo tracks.  "Leave Your Pretty To Me" is truly the highlight of the entire record.  Once you reach this song on the nine track album, you wonder if it can get any better.  The soft vulnerable tone of Tranter's voice is completely unexpected.  It sounds like a classic rock ballad and the album isn't even released in the US yet.  You must hear this song.

You Love You is out in the US on June 29th.  The band will continue touring with their friend and fellow performer, Lady Gaga, at the Monster Ball this summer.  I would pick up the record if you enjoy crazy glam rock songs that will leave you wondering what you just listened to.  It's catchy, it's outrageous, it's dirty... it's Semi Precious Weapons.

Tuesday, June 22, 2010

The Pretty Reckless - EP

I wrote about The Pretty Reckless when they released their debut single, "Make Me Wanna Die".  This new rock band is led by the young Taylor Momsen.  Their self titled EP, which was released today, contains the band's lead single along with three new tracks that give The Pretty Reckless an even more promising future.

The first track, "Make Me Wanna Die", is the obvious choice for a single.  It's very radio friendly for modern rock stations.  For a more in depth review of the song, check out my post about it, here.  The second song is "My Medicine".  This song shows off Momsen's vocals and presence much better than the lead single.  The attitude in the vocal performance is enough to make it my favorite song on the EP.

The third song is "Goin' Down".  It's much heavier than the previous two.  Being very similar of 90's hard rock and grunge, the band, specifically the drummer, really shines through on this track.  With the lyrics, "Hey there father I don't wanna bother you, but I've got a sin to confess. I'm just sixteen if you know what I mean, do you mind if I take off my dress?", you can really see the young, rebellious, and more dangerous side of Momsen.

The final song, "Zombie", can only be found on the physical version of the EP.  It's definitely worth skipping iTunes for this song.  It's similar to "Make Me Wanna Die" in terms of theme.  "Zombie" is dark and heavy.

The Pretty Reckless will release their debut full length album, Light Me Up, later this year.  I would, without a doubt, give this EP a listen.  The physical disc containing "Zombie" is available only on the Warped Tour and at Hot Topic, but the extra song is a good incentive to pick it up.  The Pretty Reckless have quickly become one of my favorite new bands.  If they can match the power of this EP on Light Me Up, then you're in for a great album.

Saturday, June 19, 2010

M.I.A. - Steppin Up

The first sound you hear upon listening to M.I.A.'s new single, "Steppin Up", is a grinding chain saw and blasting drill.  The buzzing and squealing, which could have been an amazing sample, actually becomes quite irritating through out the song.  The songs beat is capable of holding it's own without the sample.  Besides the looping saw and the pounding beat, the music is kept at a minimum.  You can still hear a faint electronic synth line and guitar that keeps a chord progression under the lyrics.  This element keeps a slight sense of structure to the music.

The lyrical content is very out of the ordinary and very lacking.  With strange lines such as, "Rub a dub a dub dub, rub a dub a dub a dub." this song isn't poetry.  It really isn't even unique in an entertaining way.  This would be more acceptable if the instrumental for the song was outstanding, but the music doesn't save the track.  Overall, there's just too much "noise".

M.I.A.'s album, /\/\/\Y/\, will be released on July 13.  If this song fits into the context of the full record, then the lacking power could be excused.  However, on it's own, "Steppin Up" is nothing to get excited about.  Her other singles for this upcoming album are much stronger than tis one.  For all of the feuding and controversy that M.I.A. gets herself into, "Steppin Up" isn't up to par.

Wednesday, June 16, 2010

Devo - Fresh

Devo.  The band that made the "energy dome" what it is today.  The pyramid like hat became the symbol of Devo at the peak of their career.  Soon after their 1990 album Smooth Noodle Maps was released, they stopped making music. Following an extensive twenty year hiatus, the band is back with an album.  Can their single, "Fresh" revive their career and satisfy their massive following?  I think it can, and will.

Devo has managed to keep the charm of their classic music and apply modern production techniques to give it an updated feel.  The echoing drums are here, as are the waving synths.  One of their major hits, "Whip It", had a massive guitar riff, so does "Fresh".  It's impressive that after a twenty year break, the band still has a strong sense of who they are.

"Fresh" can be found on their album, Something For Everybody, which came out this week.  If you want a record full of poppy music that sounds like it belongs in the 80's, then this album is for you.  While it has that retro sound, it doesn't sound too cheesy or overdone.  It's a perfectly done transition into today's music scene that strives on electro-pop.

Sunday, June 13, 2010

Robyn - Body Talk Pt. 1

Robyn is a Swedish pop singer with a plan.  She's going to release, not one, but three albums this year.  In a series titled Body Talk, Robyn hopes to break from the traditional album cycle and create some great pop music at the same time.  Pt. 1 of the trilogy is being released this week.  At eight tracks long, the album contains a wide variety of genres.  While it's mostly pop focused, the album does hold its surprises.

The album starts off with "Don't F****** Tell Me What To Do".  The monotone repetition of Robyn stating waves of habits, objects, feelings, and people that are "killing her" is strangely effective as lyrical content.  The vocals are spoken over a dance-pop beat that sounds like a "Thriller" tribute during the title line finale.  After this intriguing intro, the promo single "Fembot" interrupts with its distinctive hook.  While the attraction of, "I've got some news for you, Fembots have feelings too.", you can't forget this song.  It''s a solid electro-pop tune that calls back to her previous hit, "Konichiwa B******".

The album continues into the first official single, "Dancing On My Own".  This single has already had decent success because of its moving chorus.  The song is definitely one highlight of the album.  The deep constant synth is a great driving beat for the song.  Robyn's music is always full of attitude, but it's usually aggressive and playful.  "Dancing On My Own" is deep and honest.  The next song, "Cry When You Get Older", continues the vibe of "Dancing On My Own".  It's less feisty and keeps the flowing ballad-like tempo.

The feeling changes completely with, "Dancehall Queen".  It has a reggae beat with pop synths.  An interesting combination, to say the least.  The song is very mellow, not much stands out.  It manages to keep your attention, but it is lacking.  The album picks back up with "None Of Dem".  This song features Röyksopp, and has an eerie melody.  The song is much more atmospheric than Robyn's usual hi-hat and snare filled anthems.

With the albums end closing in, "Hang With Me", an acoustic ballad, catches the listener off guard.  The soft song is made up of a piano, string section, and Robyn.  It's a beautiful song that really adds a needed element to the record.  The final song on the record is "Jag Vet en Dejlig Rosa".  The almost a cappella folk song is sung completely in Swedish.  It's extremely soothing and mysterious.  The lullaby closes the album amazingly.

To have an album that starts with a dance-pop song and ends with a traditional folk song is very peculiar.  To make it work out is even more peculiar.  Robyn has created a solid introduction to her Body Talk trilogy.  The album not only satisfies lovers of pop music, but it also sparks their interest in Robyn's unique album release plan.  I would check out Body Talk Pt. 1 if you enjoy pop music that is playful, with a mature side... when needed.  Robyn has a strong record with Body Talk Pt. 1.