Lady Gaga - ARTPOP

I've listened to Lady Gaga's ARTPOP countless times, already reaching to the extent of learning each lyric backwards and forward.  From the twisted cell phone quality intro of "Aura" to the final A-R-T-P-O-P of "Applause", there's so much to talk about.  It's overwhelming, really.  There are so many ideas and embellishments packed into this record and some of them are amazing and fantastic, while others are much less fortunate.  Have it be known that I love each of Gaga's three previous records and consider The Fame Monster to be her best.  The upcoming criticisms don't come from an unwarranted "hater" and the praise isn't from a "little monster" who harasses non-fans through social media.  It comes from expecting the best and receiving something less.

Let's start with the good news.  There are some real winning moments on ARTPOP.  Moments where you forget about the disappointing tracks and think, "Now this is Gaga".  "Venus" is her return to weird, something we've all come to know.  It's intergalactic and suggestive - what does Venus really sound like?  She pairs "Uranus" with "Don't you know my ass is famous!" and it's really a classic single for the Gaga vaults.  It also happens to be the first track produced solely by Gaga, quite the success.  "Fashion!" sounds like Madonna and David Bowie mind-melded "Holiday" and "Let's Dance". It's a definite highlight that begs for repeat plays and is insanely refreshing after hearing heavy tracks such as "G.U.Y." and "Swine".  I would've never guessed that will.i.am and David Guetta took on the production duties.

The absolute centerpiece of ARTPOP is "Gypsy".  Everything about it signals the coming of Gaga's next signature tune.  "I don't wanna be alone forever, but I can be tonight" is the new "I'm on the edge of glory".  The lyrics are insightful and powerful, while the production and songwriting are prime. Other standout singles are "Aura" and "Do What U Want", sans R. Kelly.

Each of Gaga's past albums have focused on a precise and cohesive theme.  The Fame was about the rich glamourous life, The Fame Monster was the dark companion piece, and Born This Way was through and through a self-empowerment album.  ARTPOP is confusing.  Sure, she clearly states on the title track that "ARTPOP could mean anything", but the songs randomly touch on sex, drugs, fashion, love, and even pure unrestrained anger, which sounds completely startling after the extended anti-bullying message of Born This Way.  The chorus of "Swine", one of her most extreme ventures into straight up electronic dance music, actually includes a screeching "you're just a pig inside a human body... you're so disgusting".  Maybe the title of ARTPOP was really just a scapegoat to do whatever she pleases thematically.

Production credits on ARTPOP include DJ White Shadow, Zedd, Madeon, David Guetta, Rick Rubin, will.i.am, and Gaga herself.  That's a pretty noticeable difference from her former crew that often recruited RedOne and Fernando Garibay.  It's obvious on the album, as well.  "Jewels N' Drugs", a rap song featuring T.I., Twista, and Too $hort, would not be missed if the master tape had been horribly lost after the recording studio caught fire. That song is a prime example of the questionable decisions on the album. Some of it ends up being hilarious, such as the synth on "Swine" that literally sounds like an oinking pig and her spastic tone during the "paint your face and, paint his face and, catch the beat" bridge.  There's also the sarcastic and artificial Versace ode, "Donatella", where she opens with an exaggerated "I'm so fab".

But then things start to get inconsistent again.  The sudden and horribly drastic differences in vocal production make ARTPOP sound like a singles collection rather than a complete piece of work.  When "Dope" flows into "Gypsy", you're lifted out of a pure untouched vocal take and placed into heavy reverb within the span of seconds.  The reasoning behind this is a transition from Rick Rubin to Madeon, and a lack of attention to detail.

It really sounds like she's desperately trying to appeal to the general public, something she doesn't need to do.  For the first time, she seems visibly concerned about record sales.  I mean, she asked fans to buy multiple copies of "Applause" on iTunes.  Why would she ever need or want to do that?  It's baffling because she's Lady Gaga.  She a label executive's dream come true, a sales monster.  Not because she begs for false number one singles, but because she creates music like "Bad Romance" and "Born This Way".  She writes music with progressive ideas and pushes the mainstream boundaries.  She brought politics and social issues to the VMA's and started a non-profit organization because she cared about the cause. ARTPOP doesn't match up with that track record.

Maybe she's been placed on a pedestal of higher judgement.  Would I even be writing something like this against Rihanna or Katy Perry?  Probably not, but that's why she's Gaga and that's why she hangs out with the likes of Elton John, Cher, and Yoko Ono.  She's projected herself out of the pop singer realm and into something higher, but somewhere in there the music still needs to meet that same quality standard.  She's always written lyrics about sex, but it's so blatantly straight forward on songs like "Sexxx Dreams" that it sounds lazy instead of clever or metaphorical.  The overflow of drug references is also a tacky sign of the lyrical slump.

I really feel like Gaga needs to take a step back and reconsider everything. Some of the songs sound like any other pop star could tackle it and do just as well.  Why do we need R. Kelly and a song where a trio of random rappers overshadow the star?  ARTPOP could've almost served a better purpose as a condensed eight track LP, since only parts of the album truly shine.  She said that Born This Way was created for her fans and those same fans might end up listening to that album again instead of ARTPOP. Born This Way was simply better.

Download: Lady Gaga - ARTPOP

Lady Gaga - Do What U Want (Feat. R. Kelly)

I feel like the big pop stars are struggling when it comes to the concept of featured artists.  Katy Perry tainted "Dark Horse" with Juicy J and Ke$ha is working with super creeper Pitbull.  It all feels like an attempt to cross market into other radio formats.  Oh, her new single features a rapper.  Let's send it over to the hip-hop stations and get double the audience impression. Very rarely do these collaborations feel like two artists working together to create something of a combined effort.

"Do What U Want" is Lady Gaga's new promo single.  It features R. Kelly, which completely confused me.  He's not exactly the most in demand name out there, so maybe it's not a call for record sales after all.  But then again, it's R. Kelly we're talking about.  Why would Lady Gaga, arguably the most powerful character in the business, select an R&B singer that drastically contradicts almost every style decision she's presented thus far?  Why is she also showcasing her thong wearing rear? Because she's Lady Gaga.

In the end result, R. Kelly only weighs down a nice pop song.  This is almost completely personal taste speaking, since my own knowledge and liking to his music extends from "I Believe I Can Fly" to the Céline Dion holiday duet, "I'm Your Angel".  That's not much to talk about.  Maybe Gaga's just a fan of his music and it's nothing more complicated.

The "Do What U Want" instrumental is fantastic, though.  It's crushing with a jagged synth and then the bouncing climax only elevates everything. Gaga's vocals are also a feature to talk about.  She's a bit more showy than usual, with added runs and throaty belting.  But all of the recent tracks from Gaga just seem a bit strange after Born This Way.  She went from an extremely heavy album filled with morals and feel-good messages to something that's, I don't know... not quite as powerful?  All shall be revealed when ARTPOP arrives.

Listen to "Do What U Want" below and remember to check out ARTPOP on November 11.

Friday I'm In Love - 11/10/13

Friday I'm In Love is a weekly feature

It highlights what I loved over the past week

Week = Friday to Friday

May include things of a non-musical variety

Friday I'm In Love - 23/8/13

Friday I'm In Love is a weekly feature.

Highlights of what I loved over the past week.

Week = Friday to Friday.

May include things of a non-musical variety.

Lady Gaga - Applause

Lady Gaga just rush released her new single "Applause" a full week early "due to hackers" and "an abundance of low/high quality leaks".  You can read her entire caps locked announcement as she tweeted about this pop emergency about an hour ago, here.  It's being sent out to radio at this very moment and we can only assume iTunes is to follow.

The song is definitely not Born This Way, both musically and lyrically.  It starts with a jagged synth, until a heavy dance beat comes in with the vocals.  Gaga's vocals in the verses are a new method and sound like pretty much nothing that she's done before. It's somewhat reminiscent of a deep 80's dance howl.  Before the chorus even hits, there's already a hook, "I live for the applause applause...".  As far as production goes, I'm not quite sure who's on this track, but I wouldn't necessarily guess that it's Zedd.  So that leaves either Madeon or DJ White Shadow.  (Update: DJ White Shadow was confirmed as the producer, along with Gaga)

"Applause" has a 99.9 percent chance of being a radio success and through the next week we'll get to see whether Katy Perry's "Roar" or Gaga will take the top spot on the charts.  The two pop stars recently denounced fanbase rivalries deeming them wrong, which is great, but come on.  When you release two massively anticipated lead singles on basically the same day, a competition is bound to happen.  You can stream Lady Gaga's new single "Applause" below and look for her fourth record, ARTPOP, on November 11.

Friday I'm In Love - 2/8/13

Friday I'm In Love is a weekly feature.

Includes highlights of what I loved over the past week.

Week = Friday to Friday.

May include things of a non-musical variety.

1. Lady Gaga's "Applause" artwork

"Applause" is the first single from Gaga's upcoming album, ARTPOP. Earlier this week she tweeted out the artwork to go along with the highly anticipated song, which is due on August 19.  It's a completely different direction from her Born This Way image, which sat on the edge of tacky at times.  I'm officially ready for whatever she has planned.

2. The Virgin Mobile FreeFest line-up

Last year's Virgin Mobile FreeFest was beyond incredible, featuring a variety of artists such as M83, Santigold, Alabama Shakes, and Zedd. This year looks equally stunning, with Vampire Weekend, Icona Pop, and Sky Ferreira joining the line-up.  Tickets go "on sale" August 9 and the festival takes place on September 21.  I'll see you there.

3. Andy Warhol's Brillo Box Pouf by Quinze & Milan

I was lucky enough to be selected to receive an Andy Warhol Brillo Box Pouf created by Quinze & Milan in collaboration with The Andy Warhol Foundation and Fab.  Honestly, it's the most amazing thing ever.  I never knew how much my life needed an oversized Brillo Box until now.  The screen-printed box can technically be used as a chair or table if you wish, but I'll just be hugging displaying it proudly.

4. The Wolverine

The Wolverine has been out for a little while now, but I just got around to seeing it on Wednesday.  Despite the somewhat underwhelming box office performance, I think it's quite possibly the best Marvel film to date.  James Mangold did such a great job when it comes to capturing the essence of the comics.  Hugh Jackman doesn't just play the character, he is Wolverine. The climax towards the end of the film leans on the cheesy side a little more than desired, but it still manages to surpass every other X-related film.  Go see it!

My Favorite Albums Of 2011: Part 3

It's New Year's Eve and this is officially the last post of 2011.  I've had a great year of blogging about the twists and turns of my musical life.  There were amazing albums and then there were some less fortunate records.  I had the chance to talk to some of you readers, which is always wonderful.  Many thanks to both the readers and the artists I was able to chat with and write about this year.

This post is also the last part of my "Favorite Albums Of 2011" list.  Just to refresh your mind, this is how the countdown is going so far...

Honorable Mentions

Active Child - You Are All I See

Alexander - Self Titled

Beyoncé - 4

Gotye - Making Mirrors

James Blake - Self Titled

The Joy Formidable - The Big Roar

Nicolas Jaar - Space Is Only Noise

SebastiAn - Total

St. Vincent - Strange Mercy

Zola Jesus - Conatus

Ellie Goulding - Lights

Top 20

Penguin Prison - Self Titled

Cults - Self Titled

Glasvegas - EUPHORIC /// HEARTBREAK \\\

Björk - Biophilia

Girls - Father, Son, Holy Ghost

Kimbra - Vows

CSS - La Liberación

Feist - Metals

Florence + The Machine - Ceremonials

The Black Keys - El Camino

Here's the remainder of the top twenty...

Patrick Wolf - Lupercalia

My summer was filled with Patrick Wolf's optimistic album.  I think this may be the best record he's released.  It focuses heavily on themes of love and friendship, basically the idea of a soulmate.  I absolutely loved this album for it's ability to capture those themes in a mature way.  It sounds real and that's why Lupercalia works so well.

The Kills - Blood Pressures

The Kills are one of the most stylish rock bands currently making music.  When you see or hear them, they're instantly recognizable.  Alison Mosshart is also leading the pack of female performers in rock music.  She fronts multiple bands without fault.  "Heavier" may not be the right word to describe Blood Pressures when comparing it to their last record.  Sure, it's heavy, but it mostly sounds fleshed out and full.  Blood Pressures is complete, ballads and all.

Mr. Dream - Trash Hit

Trash Hit is the debut album from Brooklyn's Mr. Dream.  They're a mix of punk rock and all of its pesky sub-genres.  You may think you've pegged them as one type of music, until they switch it up yet again.  This record has that "garage rock" production sound, and it also has some insanely catchy hooks.  I like to pop it on whenever I'm in the mood for some carefree, and a little crazy, music.

LIGHTS - Siberia

LIGHTS has come a long way since her light and airy debut album.  This time around, her music is heavier with less strictly pop elements and more electronic ventures.  She also tried her hand at the dubstep game, just barely.  Siberia's beats are crunchy and distorted, while the melodies remain as solid as ever.

Le Butcherettes - Sin Sin Sin

This band is one of my most exciting discoveries of 2011.  Le Butcherettes play insane political rock music.  Led by Teri Gender Bender, live shows often involve fake blood and sometimes include raw meat.  But it's not all stage antics.  Sin Sin Sin has raw power and sounds incredibly current.  I expect to see big things from Le Butcherettes in 2012.

M83 - Hurry Up, We're Dreaming

Who hasn't heard "Midnight City" by now?  M83 wins the "catchiest synth melody of the year" award.  What's even better is that Hurry Up, We're Dreaming is just as solid.  I'm tempted to describe the record as "dreamy", but that's too obvious, isn't it?  That's really the first thought that comes to mind, though. The album is nostalgic and blurred, just like a dream.

Foo Fighters - Wasting Light

If you read my review of the Foo Fighters show I went to, then you already know how much I love this album.  The Foo Fighters have somehow managed to consistently release album after album without having a real dud mixed in there.  I can't say that for a decent amount of bands who started in the nineties.  Now the record is up for Album Of The Year at the Grammys.  2011 was a massive year for this band.

The time has arrived for some numerical rankings!  Those make everything more interesting, don't they?  Here are my three favorite albums of 2011...

3. Adele - 21

Yes, Adele.  She sort of dominated the world of music this year, and rightfully so.  21 is a mostly heartbroken collection of songs, all focused on the same guy.  You've probably already heard the record, seeing as it's the best selling album of the year.  If not, then I suggest you join the crowd.  

2. Lykke Li - Wounded Rhymes

Each of my top three records have one thing in common, I never get tired of them.  No matter how many times I listened to Wounded Rhymes, I kept coming back for more.  I'm even guilty of multiple listens back to back.  That's a real feat.  Lykke Li's voice is just as demanding as the glare in her eyes.  No really, check out the music video for "Get Some".  Those eyes.

1. Lady Gaga - Born This Way

If you're a regular reader of the blog, this probably came as no surprise.  Otherwise, you may be shaking your head.  When it comes to current pop music, I place Lady Gaga above all.  I really do think she's ten steps ahead of the other pop stars and divas, just look at the cultural impact.  Born This Way's production is outrageous and the music is campy.  There's an overwhelming theme of self-impowerment mixed with feminism, sexuality, and equality.  Both Brian May and Clarence Clemons perform on the album.  At seventeen songs long, Born This Way is a wild ride on the back of that half-Gaga motorcycle, and that's why it's my favorite album of 2011.

As always, I love hearing what you think.  Did I forget any amazing records?  What are your favorite albums of 2011? Leave a comment and let me know!

Lady Gaga - Yoü And I: The Remixes

Years from now, "Yoü And I" may be remembered by many as "that one Lady Gaga song where she dressed like a guy".  The pop single with a southern rock twist is the fourth single from Gaga's Born This Way.  It's currently in the Top 10 of the Hot 100 and to give it a little promotional push, an album of remixes has been released.  The seven track set includes mixes by names such as Metronomy, Wild Beasts, and Mark Taylor.

Unfortunately, a few of the remixes are forgettable.  The Wild Beasts remix, which is the first track, is a mellow humming trance.  There are piano chords and melodies on top of Gaga's chopped vocal runs.  The song clocks in at under four minutes, but it feels much longer.  Danny Verde and Hector Fonseca's remixes are extended club pieces.  They have bass focused beats with assorted and heavily repeated vocal motifs.  While tracks such as these are generally what remix albums contain, many of Gaga's previous remix compilations have held amazing mixes that almost surpass the original single.

The remaining remixes are by Mark Taylor, ATB, Metronomy, and 10 Kings.  Mark Taylor's remix is close to what I would imagine "Yoü And I" to sound like if Gaga chose the synthesizer over the piano and guitar.  A line-dancing beat is there along with a radio friendly production style.  ATB's remix switches back and forth between a soft dance instrumental and hard pounding synth bleeps.  The variation is great and there's plenty of vocal work.  It's one of the album's highlights.

Metronomy went with a concept that probably wouldn't sound like a success on paper.  They've completely stripped the music, leaving only lush dragging synth chords and piano over an almost soothing beat.  The entire vocal track is intact with a slight filter.  It's minimal in the best way possible.

The real gem on this record is the 10 Kings remix.  This song makes up for every other mix that failed to impress.  It's incredible what a new chord progression can do to a song.  The "We Will Rock You" stomp-stomp-clap beat has been replaced by soaring and dramatic synths.  The 10 Kings re-work is one of my favorite remixes from the Born This Way era.  There's an incredibly emotional climax and the balance of every element is stunning.  If you were to download one track from this album, choose the 10 Kings remix.

As a whole, this batch of remixes has a few weak spots, but when it gets going, this album really shines.  You can download any and all of the remixes here.  If you haven't seen it yet, check out the "Yoü And I" music video below...

DJ White Shadow - I'm Killing Me

DJ White Shadow, also known as Paul Blair, just released his first official EP of original work.  At just over thirty minutes long, I'm Killing Me is a beat driven blast of energy.  You may know White Shadow from his collaboration with Lady Gaga on her third album Born This Way, where he took the role of writer and producer on one of the year's biggest albums.  You can hear his distinct elements on both projects, but this album touches new areas that weren't seen with Gaga.  While he already had a reputation for putting on a massive DJ set, I'm Killing Me shows the mainstream music world what DJ White Shadow is capable of.

I'm Killing Me is available as a free download over on DJ White Shadow's website.  If you want to hear more of DJWS' work, you can check out some of his mixtapes and remixes here.

Lady Gaga - Born This Way

"The greatest album of this decade" is what Lady Gaga declared Born This Way several months prior to the album's release.  That's a high bar to set for yourself no matter what genre of music you create, but either way she promised a record full of "avant-garde techno rock".  If you have no interest in Gaga or her music then the "greatest album" statement may sound cocky and egotistical, but if you're one of her Little Monsters, it sounds like the next level of her record shattering career.

There's no denying that Gaga has captured the world's attention, not only with her music and outlandish videos, but also through her persona.  She projects a message of individualism and equality.  The album's lead single, "Born This Way" symbolizes the theme as a complete piece of work.  That very single broke records upon its release back in February.  Now it has found itself as track number two on the seventeen track album, Born This Way.

Her first two albums, The Fame and The Fame Monster, consisted primarily of dance-pop music.  A great amount of growth was witnessed between the release of those albums.  The latter dabbled with gothic and industrial styles. However, with Born This Way, Gaga called upon artists from past decades for inspiration.  She tips her hat to Whitney Houston on "Fashion Of His Love", Bruce Springsteen on "The Edge Of Glory", Madonna on "Born This Way", Journey on "Highway Unicorn (Road To Love)", Queen on "Yoü And I", and countless other icons from as far back as the seventies.  It's amazing to hear her project the various artists that she loves back into her own music.

From the opening note of "Marry The Night", Born This Way is musically much more complex than any of her previous work, or perhaps it's simply the massive hooks and stadium sized power that gives off this illusion.  Every song is bigger than the previous as she experiments with new instruments.  On "Hair" and "The Edge Of Glory", Clarence Clemons of The E Street Band plays the saxophone.  I can't remember the last time I heard a saxophone on Top 40 radio stations.

"Americano" shows off her ability to grasp a completely new genre and morph it into a bilingual epic.  Gaga returned with her Spanish tongue to write a song about immigration and gay marriage.  It's a weird concept, but the mariachi-techno piece is one of the album's highlights.  The album also holds a good handful of French lines, while "Scheiße" is full of German gibberish.

Religion is another theme that is heavily stressed on the record.  "Judas", the metaphorical single that caused backlash from some religious groups, is only the beginning.  "Bloody Mary", an eerie track that could possible be the best part of the record, and the guitar driven "Electric Chapel" incorporate the subject even further.  "Black Jesus † Amen Fashion" intertwines fashion and religion, combining them together as one.

The racy Gaga is still present on this record.  "Government Hooker" and "Heavy Metal Lover" take on the dirty beats that were found on her previous albums.  "I want your whiskey mouth all over my blonde south" wraps up "Heavy Metal Lover" into a mellow droning pace that turns out to be one of the most interesting tracks.

Still, the core of Born This Way is simply self empowerment, acceptance, and equality with lyrics like, "Don't be insecure if your heart is pure - there's nothin' wrong with lovin' who you are - I just wanna be myself".  The bridge of the title track broke boundaries in mainstream music.  There weren't any complicated metaphors.  The message is loud and clear.  It's hard to classify Lady Gaga in the same category as other pop stars such as Katy Perry, Britney Spears, and Ke$ha.  Gaga just has so much more meaning and musical depth as a songwriter, and that's what propels her music to the top.

Is Born This Way the best album of the decade? Well, we won't know for a long time, but it's definitely the best "avant-garde techno rock" album of the decade so far.  Many people say that Gaga's fifteen minutes of fame are almost over, but it actually looks like she's just getting started.  Sure, the album may be overly camp and outrageous at times, but that's what Gaga does best.

The one factor of Born This Way that may hinder its universal acclaim is how the album seems tailored towards her long time Little Monsters.  Gaga knows her core audience and that may push away the casual fans that buy the record on a whim.  However, shouldn't every artist write music that pleases their central fan base?  Why should she try to appeal to Top 40 radio standards when she already knows who listens to her music?  When you open the first page of the album's booklet, it reads "This album is for ü".  That one line tells you exactly what Gaga's intent was with Born This Way.

Download Lady Gaga: Born This Way

Lady Gaga - Judas

Lady Gaga is always full of surprises.  "Judas", the follow-up single to her record breaking "Born This Way", was slated to be released on April 19.  The schedule was going exactly as planned when the unthinkable happened.  A low quality two minute clip of the track was somehow leaked and posted online.  This would surely hurt the massive anticipation behind the single, so Gaga released "Judas" to radio and digital sources immediately, four days ahead of the original release date.  This rushed release had her Little Monsters everywhere in a panic, trying to hear the new single.

To start things off, "Judas" is completely different from "Born This Way".  While they both have that "Gaga" sound, "Judas" isn't an inspirational anthem like the title track from her upcoming record.  The lyrics are much darker with various Biblical references.  "Jesus is my virtue, Judas is the demon I cling to."  I'm sure the religious groups that are often seen protesting outside her concerts will react to this track.

Religious standpoints aside, "Judas" is a heavy dance song with an industrial sized beat.  The synths are intact, as always.  "Judas" could be Born This Way's equivalent to The Fame Monster's "Bad Romance".  They both have the bizarre chant-like hook, "Gaga ooh la la - Judas Juda ah ah", and lyrical themes of, well, a bad romance.

One major change found on "Judas", as compared to the rest of Gaga's discography, is her vocal technique.  During the verses,  she sings with a strange almost-accent.  Once the chorus comes around, she's back to her traditional soaring vocals.  The bridge melody sounds strikingly similar to the German lines from the remix of "Scheiße" that was used during the Mugler fashion show in Paris.  When you put it all together, the result is another milestone in Gaga's career.

The vast differences between "Judas" and "Born This Way" have me wondering which direction her new album will take in a lyrical sense.  No matter which way she goes, Gaga is always pushing the boundaries for modern pop music, and "Judas" is no exception.  One has to wonder if Gaga leaked the song purposely just to give it to her fans a few days early...

Click Here To Download "Judas"

Lady Gaga - Born This Way

Let me start off with a warning.  This is a biased review.  I'm a "Little Monster".  I adore everything that Lady Gaga does and follow her every move.  I could try my best to be an "objective journalist", but why should I hold back how I really feel?  Now that you know this little bit of info, you should also know that "Born This Way" is the pop song that this generation, an era burdened by prejudice, needed.

Think back to MTV's 2010 Video Music Awards.  Lady Gaga stole the show by sweeping the awards and donning her now famous meat dress, but she also started the five month wait for this single by singing the first line of the chorus.  "I'm beautiful in my way, 'cause God makes no mistakes.  I'm on the right track, baby.  I was born this way."  These lyrics appropriately summarize the theme of this single.  Over the past year, Top 40 stations everywhere have seen a large amount of uplifting songs, but none of them were as straightforward and in-your-face as "Born This Way".

"Born This Way" is a pop track, in the same light as "Dance In The Dark" to the point of sharing Fernando Garibay's brilliant production.  The lyrics could have easily taken the form of a piano ballad, which may happen during Sunday night's Grammy Awards, but instead Gaga kept her danceable style of music.  This is the first time I've ever heard a mainstream pop song directly address racial prejudice.  This is also the first time I've heard the words gay, straight, bi, lesbian, and transgender used in a mainstream pop song.  Many writers labeled the song as a "gay anthem", but it's really an equality anthem.  Every issue, from race, sexual orientation, disabilities, poverty, and bullying is included in the lyrics.  Gaga has a massive platform, and she's using it correctly.

Many people claim to enjoy pop music because it's "catchy" and not for the lyrical content.  "Born This Way" soars in both categories.  It's uplifting, inspirational, and has a hypnotizing beat.  In an age where degrading and meaningless songwriting is often seen at the foreground of the music industry,"Born This Way" is the pop song that people should sing along to as loud as they can.

Download "Born This Way"

Remixes You Should Hear: Part Two

"Quicksand (Boy 8-Bit Remix)" - 
La Roux
This "Quicksand" remix was included on the UK re-release of the single.  A marimba keeps the steady chord progression that the original song followed.  It gives the track a bouncy sound that works well.  At the song's half way mark is the climax.  It continuously builds until a sudden stop.  After the break, the mix finishes up with a synth covered instrumental.  There are several variations in the music, so it avoids becoming too monotone.  The "Boy 8-Bit Remix" adds a great new twist to "Quicksand" while still keeping La Roux's signature style.

"Alejandro (The Sound Of Arrows Remix)" - Lady Gaga

Okay, I know that everyone has heard the original "Alejandro", but this remix completely changes the hit single that you know.  The remix was created by The Sound Of Arrows.  They gave the song a lighter summer mood.  The lines "You know that I love you boy. Hot like Mexico, rejoice. At this point I've gotta choose, nothin' to lose." have become the real hook of the song.  The track is one of the best pieces from Gaga's album full of remixes, The Remix.  After hearing the original track so often, some may even prefer this remix to the original.  Both are great.

VMA 2010: My Favorite Moments

Yesterday was MTV's biggest night of the year. It was also a big night for several artists.  With Chelsea Handler hosting, the show was a mixed bag.  The first problem was Chelsea Handler.  I'll just get to the point, she wasn't funny.  The audience also seemed to be forcing fake laughter.  Ellen Degeneres' few moments onstage were better then Handler's.  The show did have several highlight's that made it worth while.  Here are my favorite moments.

Florence + The Machine performs "Dog Days Are Over"
This performance was by far the best, vocally.  Florence Welch's powerful voice was accompanied by a slew of dancers and lights.  The production of performance was also spot on.  This appearance may have sealed Florence + The Machine's success in the US.

2010 MTV Video Music Awards - More VMA Video

Taylor Swift sings "Innocent"
This was a moment that had received a lot of gossip before the show had even started.  Taylor wrote and performed "Innocent" from her upcoming album, Speak Now.  The song wasn't about how Kanye was a terrible person and she was still mad.  Instead she sang a tale of forgiving encouragement.  I thought it was great.

2010 MTV Video Music Awards - More VMA Video

Paramore, Bruno Mars, and B.o.B take the stage for a medley
This segment started with Bruno Mars singing the hook to "Nothin' On You".  The song then switched to "Airplanes" as Hayley Williams took the stage.  B.o.B then sealed the deal and connected the songs with his verses.  After the trio did their hip-hop piece, Hayley joined the rest of Paramore for a rendition of "The Only Exception".  The performance was full of hit singles and worked incredibly well.

2010 MTV Video Music Awards - More VMA Video

Lady Gaga sets records and reveals her next record
The winner of the night was Lady Gaga. She won eight awards, which beats Madonna's previous record.  The final moon man that she won was for Video Of The Year.  "Bad Romance" proved to be her key video.  As she took the stage, wearing a dress made of meat, she revealed to the world the title of her next album.  Holding back tears she announced "Born This Way" and sang a few lines of a new song.

2010 MTV Video Music Awards - More VMA Video

Those were the moments that stood out to me.  Many of the big names that took the stage sadly failed to impress me.  Do you agree with my choices?  Leave a comment telling me your favorite moments.  Did you like Kanye West or Nicki Minaj?  What about Eminem?  Which of Gaga's dresses was your favorite? Let me know!

Lady Gaga - The Remix

Lady Gaga has already confirmed that an album of new tracks won't be seen until next year, but why should that stop her from releasing anything at all?  The Remix is exactly what it says it is.  It's an album full of Gaga's biggest hits, and some lesser known tracks, all remixed.  The new versions vary from full on heavy bass dance floor numbers to, on the other end of the spectrum, softer and more interesting mixes of the songs.  Some big names were recruited for the album.  Stuart Price, Passion Pit, and Frankmusik mixed three of tracks and one even features Marilyn Manson.  With ten songs total, the album has a broad style.  Some of the tracks could easily be replaced, but others are incredibly creative.

Unfortunately, the album starts off with probably the least interesting remix of the entire set.  The Richard Vission Remix of "Just Dance" is over six minutes long, and doesn't keep the listeners attention unless they're in a club with strobe lights.  It lacks in vocal tracks and seems very bland.  Once you get past the first track, the album picks up to a better pace.

The Stuart Price Remix of "Paparazzi" is the standout song of the album.  Both the music and the vocal track are amazing, and almost as entertaining as the original recording.  The vocal track uses different harmonies than the original recording.  It almost sounds like Gaga re-recorded the vocals.  It's great.

Other highlights include the Starsmith Remix of "Bad Romance", The Sound Of Arrows Remix of "Alejandro", and Monarchy 'Stylites' Remix of "Dance In The Dark".  Overall, it's a solid album.  There are two tracks in particular that are lacking; the Richard Vission Remix of "Just Dance" and the Passion Pit Remix of "Telephone".

I had high hopes of an outstanding remix when I heard Passion Pit was enlisted for the album.  Unfortunately, I'm not fond of the raised pitch on the vocals.  While it's reminiscent of "Sleepyhead" by the group, the raised vocals get very "chipmunk" after a couple minutes.  Luckily, the high vocals don't cover the entire song and it improves by the end.

The Remix isn't for everyone.  If you're just a casual fan or dislike remixes, then you probably won't go crazy over this album.  On the other hand, if you love dance music or you're a hardcore fan, then you'll probably love this record.  On average, the mixes stick to the original recordings just enough to not be annoying.  With the exclusion of the opening track, each song is instantly recognizable.  It's just a shame that some of the international remixes failed to make the US release of the record.  The Manhattan Clique Remix of "Boys Boys Boys" would've been a great addition.

If you're desperately in need of new music from Gaga and can't wait until next year, then go ahead and buy The Remix.  It'll keep the "Little Monsters" dancing through the rest of the year.

"Careful" & "Alejandro" Music Videos

Earlier this week, two music videos were released.  Both were by some of my favorite musicians.  The first was "Careful", by Paramore.  The video confirms that "Careful" is indeed the upcoming fourth single from Brand New Eyes.  The video features behind the scenes footage of the band, along with live concert clips.  While it isn't one of their best videos, the sudden release was a pleasant surprise.  Check out the video, here.

The second video was Lady Gaga's "Alejandro".  After weeks of anticipation, she finally revealed the sexual militaristic themed video.  At almost nine minutes long, the video isn't something you see everyday.  Since its release, the video has received criticism, being accused of inappropriate symbolism.  You can watch the video below.

Lady Gaga - New Music - More Music Videos

Song Of The Summer?

Recently, MTV held a poll to decide what the song of this summer is.  Every summer there's that one song that really blows up.  That song is labeled, "Song Of The Summer".  Thinking back, I can't seem to remember many definite choices for this honor.  Rihanna's hit, "Umbrella", is widely considered 2007's summer song.  I can't really argue with that choice.  The winner of this year's MTV poll was none other than Lady Gaga.  Her newest single, "Alejandro", is now given the pressure of becoming the song of the summer.  The single has already gained a massive amount of airplay over the last couple weeks. It's also climbing the Hot 100 and Pop charts.  Given Lady Gaga's track record, I wouldn't be surprised if "Alejandro" shoots to #1.

Here's how the MTV poll looked:

• "California Gurls" - Katy Perry featuring Snoop Dogg
• "Airplanes" - B.o.B featuring Hayley Williams
• "OMG" - Usher featuring will.i.am
• "Alejandro" - Lady Gaga
• "My First Kiss" - 3OH!3 featuring Ke$ha

I can understand all of those choices except for "My First Kiss".  That song just doesn't have the same power as the others.  I still haven't heard it on the radio even just once.  By just looking at the list, you can see that features are extremely popular.  "Alejandro" is the only song on the list without another featured artist.

I voted for "Alejandro".  If you voted, which song did you choose?  If you missed the poll, which song would you have chosen?  Do you think the voters chose the right song of the summer?  Leave a comment with your choice, maybe the poll forgot the real song of the summer.

Lady Gaga - The Fame

About a year before she released The Fame Monster, Lady Gaga showed the world her debut album.  The Fame is packed with so many catchy pop hooks, you won't know what to do with them.  Every song, from the ballad (Brown Eyes) to the radio hits (Poker Face) has a clear melody that you won't soon forget.  The concept for this album is very different than her sophomore effort.  The Fame is about fame.  It may sound like a shallow idea, but some songs dig deeper into the life of someone with fame and fortune.

The opening song is Lady Gaga's debut single, "Just Dance".  The song really sets the feeling for most of the album.  It's about having fun, and partying.  The first four songs on The Fame are coincidentally the four #1 hits that the album had.  With this song order, you may think that the other ten songs are filler.  This thought is completely wrong.  Although the front half contains the singles, the album keeps the listeners attention throughout its entirety.

The main element that brought Lady Gaga to her stardom is her ability to be unique.  The production and vocals on the songs are extremely unique to todays mainstream pop.  From her unique pronunciation on songs like "Starstruck" and "Brown Eyes" to the faint yells and synth warping on "Paparazzi", it's there.  She definitely has her own style, and signature producer (RedOne).

As for inspirations from other artists, there are some clear candidates.  Gaga claims that she looks up to several glam rock musicians, such as Freddie Mercury and David Bowie.  This influence is certainly noticeable.  Several of the songs are very theatrical.  I can also hear some similarities to '80's pop music (Madonna... maybe even Cyndi Lauper).

Overall, the album is a solid piece of pop.  There are several songs, besides the singles, that could have been chart-toppers (The Fame, Boys Boys Boys), if not for the release of The Fame Monster.  I suggest you put this CD in your stereo, push play, and have fun.  That's really what The Fame is about.

"Pop Music Will Never Be Low Brow" - Lady Gaga

Playlist - Lady Gaga, Imogen Heap, & more

Here's a playlist of some albums I listened to lately.  I've kind of had an overflow of music lately, so I'm getting around to listening to all of it.  They were all released within the last few years, some older than others.  Also, you should check out this remix of "Steady As She Goes" by The Raconteurs and "Bad Romance" by Lady Gaga.  It's really cool...

Lady Gaga - The Fame

I just bought this album.  I know, I'm a little late.  Anyways, this album is great.  It's filled with catchy synth-pop songs with the exception of track twelve, Brown Eyes, a piano ballad.  It has all of the radio hits that you already know.  Other highlights include Beautiful, Dirty, Rich, The Fame, Brown Eyes, and Boys Boys Boys.  There really isn't a filler song.

Imogen Heap - Speak For Yourself

This is Imogen's second album.  It contains the unique song, Hide And Seek.  It's a very solid electronic album, but I think I prefer her newest album, Ellipse.  If you're a fan, then you've probably heard this album by now.  If you're new to her music, don't overlook this album.  Highlights include Headlock, Goodnight And Go, Just For Now, and Hide And Seek.

The Red Jumpsuit Apparatus - Don't You Fake It

I've only listened to this album once or twice so far.  It's pretty good, solid pop-punk.  There's a lot more screaming than I expected.  I'm not sure if that's good or not, it depends on your personal taste.  Highlights include False Pretense, Damn Regret, Your Guardian Angel, Face Down, and Grim Goodbye.

Gwen Stefani - Love. Angel. Music. Baby

Very strange.  That's how I feel about a lot of the songs.  It's a very bubbly album.  Songs such as Bubble Pop Electric and Harajuku Girls are... unique.  I really like some of the other songs, though.  It's a hit or miss album in the end.  Highlights include What You Waiting For? and Cool.

52nd Grammy Awards Recap

Last night the stars came out for the Grammy Awards.  Awards were given, performances were seen, and Taylor Swift continued her reign on the music industry.  The night started with a performance by Lady GaGa and Elton John.  GaGa started by singing "Poker Face" and later met with Elton John for a "Speechless-Your Song" medley.  The act was very impressive and one of the best moments of the night.  The show continued with several other performances including Beyonce, who sang "If I Were A Boy" and "You Oughta Know" by Alanis Morissette.  The song choice for this performance was odd.  The songs kind of clashed with each other.  Other highlights include P!nk's performance.  She sang "Glitter In The Air" while dangling from a rope.  It was very similar to her VMA act.

Taylor Swift won the biggest award of the evening, Album Of The Year, along with many more.  Her album, Fearless, has won her countless awards, but this might be the best of them all.  She accepted the award overwhelmed, as always.  She seems to still be in a state of shock.  At least this time, Kanye wasn't there to steal her glory.  Although Swift won several Grammy Awards, Beyonce set a record for the most Grammys won in one night by a female artist.

The 3D Michael Jackson tribute was great.  3D glasses may have seemed strange at first, but it worked.  After the performance, his children accepted his honorary Lifetime Achievement Award for him.

My favorite moments of the night were:

• Lady GaGa's duet with Elton John
• Michael Jackson Tribute
• P!nk's Performance
• Les Paul Tribute

Leave a comment with your favorite moments from last nights show.  Did you like Taylor Swift's duet with Stevie Nicks?  What about the Black Eyed Peas?  Let me know...