Showing posts with label The Kills. Show all posts
Showing posts with label The Kills. Show all posts

Saturday, February 11, 2012

The Kills: Live At The 9:30 Club



It has been just over one week since The Kills performed for a sold out 9:30 Club crowd in downtown Washington D.C.  The ringing in my ears has subsided, but the music in my head has not.  I can still hear the crunching beat of the show’s opener “No Wow”.  I can still see Alison Mosshart, standing upon the dimmed stage, with tears forming, as she sang “The Last Goodbye”.  These are just two of the many stills that stand out within my mind as I recollect the night.

The evening began when the Brooklyn-based duo Hunters, and their accompanying drummer and bassist, took the stage.  If singer Isabel Almeida’s raucous scream doesn’t put a grin on your face, it’s probably safe to say you’re no fun.  They brought a special dose of energy that invigorated the room and matched The Kills vibe.

Having heard very little of the band in advance, I came away impressed.  I must admit, their single “Deadbeat” has, on more than one occasion, made a home in my head this past week.  The studio version is nearly identical to the live rendition and is every bit as catchy.

The two-piece rock band JEFF The Brotherhood followed, with a set that could best be described as loud and in your face garage rock.  From the first piercing note out of Jake Orrall’s guitar, to the final blast of Jamin’s drum kit, JTB laid down the noise.  Having heard some of their material beforehand, this came of no surprise, and didn’t disappoint.  Though I confess I was a bit distracted during a portion of their set, after spotting Alison Mosshart cheering from an upper balcony to the left of the stage.


After a short break, the curtains that formerly draped the backdrop of the stage were pulled, revealing the very Kills-centric leopard print which hung beneath.  Just moments away now, the crowd grew tense, and the lights dimmed.  Suddenly, The Kills appeared, amongst all the rumbling goodness of “No Wow”.  It provided such a blast of energy, and really set the tone for the entire evening.  When coupled with the duo’s overwhelming stage presence, you’d be hard pressed to come up with a better introduction.

I’ve always admired The Kills incredible sense of style.  In person, the duo looked every bit as awesome as you would expect.  Alison’s frazzled pink hair gave way to shades of blonde and black, as she confronted the crowd.  Interestingly, The Kills were joined on stage throughout the night by a pair of bandana-toting upright drummers.  The drummers actually added a nice touch, not only aesthetically, but audibly, even playing tambourines during the closing track.


This first seven-song portion of the show was ultimately my favorite, for several reasons.  Few concert experiences can hope to live up to the pure electric aura of staring eye to eye with Alison Mosshart as she belts the chorus of “The Heart Is A Beating Drum”.  The Kills bleed passion and energy, and it is nearly impossible to resist.

Next they played two old favorites, “Kissy Kissy” and “URA Fever”.  The latter of which received a roar of approval from the crowd, in response to those irresistible telephone beeps.  These tracks perfectly showcased the chemistry between Alison and Jamie.

One of the highlights of my night occurred unexpectedly, just a few songs into the show.  Jamie stepped to the edge of the stage, leaned, and tossed his guitar pick, which landed directly in my hand!


In a rare occurrence, the band was joined by a pair of background singers for “DNA” and “Satellite”. However, their impact was minimal, as Jamie’s wonderful guitar fuzz in “Satellite” stole the focus, lending itself well to the rocking crowd.  The Patsy Cline classic “Crazy”, which seemed to resonate well with the crowd, as did one of my favorites: “Baby Says”.

The slowed-down version of “Nail in My Coffin” seemed to throw everyone off momentarily, but did well to lead into “Black Balloon”.  The crowd did their best to clap along with the aforementioned drummers, eventually admitting defeat and fading into a muffled applause.

During “Tape Song” and “Cheap And Cheerful” the crowd erupted into a free-for-all mosh, as a hoard of individuals made a push to the front of the stage.  This rush resulted in a complete shuffle of positions, and I wound up being pushed back a row.  At the song’s conclusion, Jamie amusingly prompted the crowd, saying “If you're going to fight, please let everyone join in... don't do it while I’m playing guitar, it’s not fair.”  The Kills closed the set with “Pots and Pans”, and briefly exited the stage.

The emotional peak of the night was unquestionably “The Last Goodbye”, the first performance of the band’s encore.  Jamie quietly retreated to a keyboard with a bottle of wine in hand, as Alison took center stage.  The emotion in her voice was remarkable, and seemed to strike the crowd into awe.  They then continued the encore with the always popular and lively “Sour Cherry”, which injected another dose of adrenaline into the now delirious crowd.


The show closed with a pair of songs from The Kills first album, “Keep On Your Mean Side”.  Jamie did the honor of introducing the first track “Fuck The People”, describing it as “One of the first songs we ever wrote.  It’s a very profound and in-depth response to democracy and the complications of life.” As the night came to a close, everyone sang along, soaking up the final notes.

Finally, they played out the last tune of the night, “Monkey 23”.  At the song’s conclusion, Jamie and Alison crept to the edge of the stage and bowed, her glorious fray of pink hair lashing one final time.   The crowd surrendered one more massive roar, their thanks for an unforgettable night.

If you would like to hear The Kills 9:30 Club performance in its entirety, check out NPR’s “Live In Concert” feature here.

Tonight, The Kills will celebrate their tenth anniversary with a performance at Terminal 5 in New York City.  It's sure to be a memorable and emotional night for the band.  The show will be live-streamed by MTV at 10:30 ET, so be sure to tune in.  I know I’ll be watching.  Ten years is a long tenure for any band and should be deemed a great accomplishment.  To put it in perspective, The Beatles entire career spanned only ten years in total.  I want to thank Alison and Jamie for every song, every album, and every show they’ve played in those ten years.  There are no holes in their catalogue, something that’s true for few bands in this era.

Long live Hotel and VV.  Here’s to another ten years.

Thursday, January 12, 2012

The Kills - The Last Goodbye (VIDEO)


Blood Pressures was one of last year's most exceptional records, and today, The Kills released a music video for my favorite track on the album.  "The Last Goodbye" is a Moon River-esque ballad and unlike the band's usual material, the single is built upon a piano and strings.

The accompanying video is directed by Samantha Morton, and it happens to be her first music video.  The video is a perfectly simple yet effective concept, as Alison Mosshart and Jamie Hince sit in a tight photo booth.  Everything takes off from there.  Mosshart gives some insight to the song saying, "Life goes on.  It starts off being the end of the world but then ends up alright.".  Watch it below and see for yourself...


The Kills are currently prepping for their US tour.  Head over here for a complete list of dates.  Blood Pressures is out now and can be found here.

Saturday, December 31, 2011

My Favorite Albums Of 2011: Part 3


It's New Year's Eve and this is officially the last post of 2011.  I've had a great year of blogging about the twists and turns of my musical life.  There were amazing albums and then there were some less fortunate records.  I had the chance to talk to some of you readers, which is always wonderful.  Many thanks to both the readers and the artists I was able to chat with and write about this year.

This post is also the last part of my "Favorite Albums Of 2011" list.  Just to refresh your mind, this is how the countdown is going so far...

Honorable Mentions
Active Child - You Are All I See
Alexander - Self Titled
Beyoncé - 4
Gotye - Making Mirrors
James Blake - Self Titled
The Joy Formidable - The Big Roar
Nicolas Jaar - Space Is Only Noise
SebastiAn - Total
St. Vincent - Strange Mercy
Zola Jesus - Conatus
Ellie Goulding - Lights

Top 20
Penguin Prison - Self Titled
Cults - Self Titled
Glasvegas - EUPHORIC /// HEARTBREAK \\\
Björk - Biophilia
Girls - Father, Son, Holy Ghost
Kimbra - Vows
CSS - La Liberación
Feist - Metals
Florence + The Machine - Ceremonials
The Black Keys - El Camino

Here's the remainder of the top twenty...

Patrick Wolf - Lupercalia


My summer was filled with Patrick Wolf's optimistic album.  I think this may be the best record he's released.  It focuses heavily on themes of love and friendship, basically the idea of a soulmate.  I absolutely loved this album for it's ability to capture those themes in a mature way.  It sounds real and that's why Lupercalia works so well.

The Kills - Blood Pressures


The Kills are one of the most stylish rock bands currently making music.  When you see or hear them, they're instantly recognizable.  Alison Mosshart is also leading the pack of female performers in rock music.  She fronts multiple bands without fault.  "Heavier" may not be the right word to describe Blood Pressures when comparing it to their last record.  Sure, it's heavy, but it mostly sounds fleshed out and full.  Blood Pressures is complete, ballads and all.

Mr. Dream - Trash Hit


Trash Hit is the debut album from Brooklyn's Mr. Dream.  They're a mix of punk rock and all of its pesky sub-genres.  You may think you've pegged them as one type of music, until they switch it up yet again.  This record has that "garage rock" production sound, and it also has some insanely catchy hooks.  I like to pop it on whenever I'm in the mood for some carefree, and a little crazy, music.

LIGHTS - Siberia


LIGHTS has come a long way since her light and airy debut album.  This time around, her music is heavier with less strictly pop elements and more electronic ventures.  She also tried her hand at the dubstep game, just barely.  Siberia's beats are crunchy and distorted, while the melodies remain as solid as ever.

Le Butcherettes - Sin Sin Sin


This band is one of my most exciting discoveries of 2011.  Le Butcherettes play insane political rock music.  Led by Teri Gender Bender, live shows often involve fake blood and sometimes include raw meat.  But it's not all stage antics.  Sin Sin Sin has raw power and sounds incredibly current.  I expect to see big things from Le Butcherettes in 2012.

M83 - Hurry Up, We're Dreaming


Who hasn't heard "Midnight City" by now?  M83 wins the "catchiest synth melody of the year" award.  What's even better is that Hurry Up, We're Dreaming is just as solid.  I'm tempted to describe the record as "dreamy", but that's too obvious, isn't it?  That's really the first thought that comes to mind, though. The album is nostalgic and blurred, just like a dream.

Foo Fighters - Wasting Light


If you read my review of the Foo Fighters show I went to, then you already know how much I love this album.  The Foo Fighters have somehow managed to consistently release album after album without having a real dud mixed in there.  I can't say that for a decent amount of bands who started in the nineties.  Now the record is up for Album Of The Year at the Grammys.  2011 was a massive year for this band.

The time has arrived for some numerical rankings!  Those make everything more interesting, don't they?  Here are my three favorite albums of 2011...

3. Adele - 21


Yes, Adele.  She sort of dominated the world of music this year, and rightfully so.  21 is a mostly heartbroken collection of songs, all focused on the same guy.  You've probably already heard the record, seeing as it's the best selling album of the year.  If not, then I suggest you join the crowd.  

2. Lykke Li - Wounded Rhymes


Each of my top three records have one thing in common, I never get tired of them.  No matter how many times I listened to Wounded Rhymes, I kept coming back for more.  I'm even guilty of multiple listens back to back.  That's a real feat.  Lykke Li's voice is just as demanding as the glare in her eyes.  No really, check out the music video for "Get Some".  Those eyes.

1. Lady Gaga - Born This Way


If you're a regular reader of the blog, this probably came as no surprise.  Otherwise, you may be shaking your head.  When it comes to current pop music, I place Lady Gaga above all.  I really do think she's ten steps ahead of the other pop stars and divas, just look at the cultural impact.  Born This Way's production is outrageous and the music is campy.  There's an overwhelming theme of self-impowerment mixed with feminism, sexuality, and equality.  Both Brian May and Clarence Clemons perform on the album.  At seventeen songs long, Born This Way is a wild ride on the back of that half-Gaga motorcycle, and that's why it's my favorite album of 2011.

As always, I love hearing what you think.  Did I forget any amazing records?  What are your favorite albums of 2011? Leave a comment and let me know!