Showing posts with label Sleigh Bells. Show all posts
Showing posts with label Sleigh Bells. Show all posts

Tuesday, December 31, 2013

The Soundtrack Of My Life's Top 25 Albums Of 2013


Oh, what a wonderful time 2013 has been!  As another year comes to an end, we look back and realize just how many fantastic albums were released.  Along with the arrival of a new year comes the treacherously amusing task of creating a "best of" list.  This year I've even included clickable album titles, so you can grab each one if you feel the urge.  So without further delay, here are The Soundtrack Of My Life's top twenty-five albums of 2013.

24. Hunx And His Punx - Street Punk
23. Bastille - Bad Blood
22. Sky Ferreira - Night Time, My Time
21. Devendra Banhart - Mala
20. Arctic Monkeys - AM
19. Autre Ne Veut - Anxiety
18. Ra Ra Riot - Beta Love
17. Tegan And Sara - Heartthrob
16. Yeah Yeah Yeahs - Mosquito
15. Sleigh Bells - Bitter Rivals
14. Small Black - Limits Of Desire
13. Pet Shop Boys - Electric
12. Icona Pop - This Is...
11. CHVRCHES - The Bones Of What You Believe




















Tuesday, September 3, 2013

Sleigh Bells - Bitter Rivals


After a week of speculation, Sleigh Bells delivered the goods.  Not only did they announce a new single and album, the latter of which is set for a release date of October 8, but a spectacular music video is already up and so are the tour dates.  Bitter Rivals is the title of the duo's third record and its title track is leading the pack.  Everything about the song screams "Slay Bells".  The vocals have that slight R&B/pop taste that Alexis Krauss talked about and the music is a bit more Treats than Reign Of Terror.  I'm loving every moment of it.

The full album is available for pre-order on clear vinyl right now, so you can grab that here, and then check out the tour dates listed below.  They'll be playing with Doldrums (!!!) this time around, except for the odd Danny Brown New York finale.


Friday, August 30, 2013

Friday I'm In Love - 30/8/13


Friday I'm In Love is a weekly feature.
Highlights of what I loved over the past week.
Week = Friday to Friday.
May include things of a non-musical variety.

Monday, January 28, 2013

Best Albums Of 2012: #10 - 1


Here's part two and the conclusion to The Soundtrack Of My Life's "Best Albums Of 2012" list.  The top ten includes more than one album cover featuring an alarming amount of pink.  Three of the albums are debut records for the artist.  Most importantly, they're all spectacular.  Let's get started...


10. Dum Dum Girls - End Of Daze

End Of Daze is the only EP on this list.  It contains a mere five songs and one of them is a Strawberry Switchblade cover.  Three of the tracks were originally meant to be released as b-sides during the promotion of the band's last album, Only In Dreams.  It's somewhat of a miracle that this EP became the wonder that it is.  I would have never guessed that something so scattered, and really made up of obscurities mixed with stray ideas, could be so captivating.



9. Alicia Keys - Girl On Fire

I jumped on the Alicia Keys bandwagon when she released As I Am.  "No One" was blowing up on the radio and the record was a release day purchase for me.  I backtracked from there and discovered The Diary Of Alicia Keys, which would serve as a massive influence towards my own musical creations and use of keyboards.  However, Alicia's formula became somewhat stale over the years.  The Element Of Freedom came out in 2009 and, even though that album holds some stellar singles, I found myself skipping over a decent amount of the tracks.  On that note, Girl On Fire has completely reinvigorated my adoration for Alicia Keys.  There's absolutely zero filler on this record and Alicia is taking chances with new production methods.  She also collaborated with fresh faces such as Jamie xx, Gary Clark Jr., Emeli Sandé, and Frank Ocean.  Girl On Fire is an album that deserves to be ranked among the best of her work.



8. Diamond Rings - Free Dimensional

Special Affections, Diamond Rings' debut album, was the result of an extended stay in a hospital.  The bedroom pop aspect and flamboyant image of Diamond Rings contrasted so violently with John O'Regan's voice that it was brilliant.  A sound setting of innocent keyboards and beats that rang the call of Casio was an unlikely pairing for such insightful lyrics.  Pop music can disguise the most provoking ideas.  For his second album, Diamond Rings went glam.  The production level has been doubled over and there's more of a superstar persona to his ways.  The Klaus Nomi outfit and rap bridges complete this package.



7. Neon Trees - Picture Show

I had the opportunity to witness a Neon Trees concert last summer and it was a truly amazing experience.  Meeting some of the band only made it even better, but that's a story for another day.  Picture Show took the alternative pop sound of their debut and added a new wave twist.  They swayed away from the standard pop song structure, although "Everybody Talks" is radio tailored, and expanded to unfamiliar territory.  "Teenage Sounds" is Billy Idol and "Mad Love" is a bit of Bruce Springsteen.  Some of my favorites from the bunch are the mellow tracks like "Close To You" and "Take Me For A Ride".



6. Sleigh Bells - Reign Of Terror

I still like to bring out Treats and blast in over the speakers every once in a while.  That record will forever hold many unforgettable memories.  Reign Of Terror was definitely a change of direction for the duo.  It took the band away from the wordless sing-along melodies and towards a guitar focused mashup of pop vocals and 80's stadium rock.  Luckily, they managed to keep that Sleigh Bells attitude.  The Reign Of Terror vinyl presentation is also one of the most impressive packages I acquired in 2012.  True. Shred. Guitar,



5. Divine Fits - A Thing Called Divine Fits

Let's face it, supergroups and collaborations between established musicians can be disappointing.  Metallica and Lou Reed is the only example necessary.  In contrast to that fact, Divine Fits created the best "supergroup" album in recent memory.  Britt Daniel of Spoon, Dan Boeckner of Handsome Furs and Wolf Parade, Sam Brown of New Bomb Turks, and Alex Fischel are responsible for this masterpiece.  A Thing Called Divine Fits is the perfect blend of a new project and the sounds of those associated bands.  But honestly, is Britt Daniel even capable of creating anything less than amazing?



4. Porcelain Raft - Strange Weekend

I became obsessed with Porcelain Raft in late 2011 after stumbling upon a few scattered singles and mismatched EP's.  The acoustic "Everything From You Hands" and a live version of "Backwords" were constantly on repeat.  When Strange Weekend came out last January, you better believe I snatched a copy of the limited white vinyl and fell in love with every moment of the record.  The studio version of "Backwords" would probably sit near the top of my "favorite songs of 2012" list.  From Mauro Remiddi's songwriting methods to the live performances, Porcelain Raft fascinates me.



3. Grimes - Visions

My first encounter with Grimes was an odd one.  Prior to Visions, I hadn't heard any of Claire Boucher's work.  Back in January when Visions was getting a ton of attention and critical acclaim, I listened to a few random tracks off of it.  It didn't strike me as anything special.  It wasn't until I heard "Genesis" that I sat back down and gave the entire record a spin.  Now I'm obsessed with everything about Grimes.  My favorite track on Visions changes every other day, but "Colour Of Moonlight (Antiochus)" with Doldrums sits on top most often.  Don't even get me started on the "Genesis" music video.



2. Amanda Palmer & The Grand Theft Orchestra - Theatre Is Evil

Everyone has some sort of radical opinion about Amanda Palmer.  Writers rant about how she's taking advantage of her fans and stealing the valuable time of musicians, but at the same time, her fanbase ranks among the most loyal followers that you could ever find.  Theatre Is Evil found its beginnings as the Kickstarter album that passed the million dollar mark.  It lives up to the hype.  I absolutely couldn't believe how solid this album was.  The standard tracklisting holds fifteen songs and clocks in as quite a hefty record, but every single moment is just as brilliant as the last.



1. Lana Del Rey - Born To Die / Paradise

Lana Del Rey captured the attention of the entire internet population.  She captivated and confused everyone.  Is she a scam with fake lips or is "Video Games" a masterpiece? Maybe both? Neither?  The mystery surrounding "Lizzy Grant" only made the situation more interesting.  By the time she released her debut album, Born to Die, most of the hipsters had thrown her away, but in an interesting turn of events, she became somewhat of a pop star with a following of devotee's who would trend  "Lana you're the bestest" all over social networks.  The pop crowd took her in after the now infamous Saturday Night Live performance.

When creating this list, Lana was a clear choice for the top spot.  Out of every artist, album, and single from 2012, I kept returning to Born To Die and never stopped talking about the Lana Del Rey hype.  It's so rare for an artist to magically appear and shoot to the top like Lana managed.  I've paired Born To Die together with her second album, Paradise, due to the idea that they're companion pieces. It's also simply because I love both albums.  "Ride", the lead single from Paradise, received the ten minute epic of a video that it deserved.  That video is probably the best representation of Lana Del Rey as an artist.

There's been talk that Lana may retire from her current career and focus on working behind the scenes, making music for film.  Maybe the stage life isn't for her.  Either way, she fell into the spotlight and and created my favorite album of 2012.



Tuesday, January 24, 2012

Sleigh Bells - Comeback Kid


The first official single from Sleigh Bells' upcoming album, Reign Of Terror, was released just last week, and today we have a video.  The duo managed to mix the feeling of MTV in the 90's with their signature style.  The song itself is definitely a sign that the group may be moving away from the Treats sound a little more than previously expected.  Unfortunately, you'll have to wait a bit longer for the full record, as Reign Of Terror has been pushed back to February 21.  You can download "Comeback Kid" here, and check out the video after the jump...

Thursday, December 15, 2011

Sleigh Bells - Born To Lose


Sleigh Bells' sophomore album, Reign Of Terror, doesn't come out until next year, but the Brooklyn band has unveiled the first taste of their new material.  "Born To Lose" premiered today, courtesy of SPIN, and it's a blast.  The song takes the duo's heavy hitting noise-rock to a new level.  Alexis Krauss' vocals aren't as distorted as they were on their ear shattering debut.  Instead, she takes center spotlight adding a dream pop twist.  It's more "Treats" and less "Kids".  Check it out below.  Reign Of Terror is out February 14 on Mom+Pop Records.

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Monday, May 9, 2011

Sleigh Bells, CSS, Mr. Dream, and Wet Witch: Live At The 9:30 Club


At around 7:00 P.M. last Saturday, the 9:30 Club had a line of people waiting outside the venue.  A group of all ages and buzzing with excitement.  Some wore neon outfits complete with matching headbands, while others took the term "hipster" to a new level.  They were all waiting for a night of frenzy.  Sleigh Bells and CSS were in DC for a sold out night of their co-headlining tour and they brought along Mr. Dream and Wet Witch for good measure.  Once the doors to the venue opened at 8:00, everyone rushed towards the stage for a good spot.  I settled down somewhere between the first and second row and was advised by an obviously concert savvy girl to keep a steady hold on my spot because, "It's gonna get crazy."

The show kicked off with Wet Witch at around 8:30.  Most of the crowd had no idea what to expect from them, so when the band's first song was an intense blast of noise, hands instinctively covered ears.  Wet Witch is a trio consisting of a guitarist, drummer, and vocalist.  The vocals were harsh while the drums shattered the room.  After the initial impact of the first song, the crowd loosened up. By the end of their set, there were mixed reactions.  Some were anxious and now noticeably pumped for the night to go on, while others got their ear plugs ready.  Wet Witch gave the club a good taste of what the mood would be like for the rest of the night, full of energy.


After a short set change, Mr. Dream prepared to take the stage.  The drum kit was moved to center stage with each vocalist on either side.  They started with one of my favorites, "Knuckle Sandwich".  The crowd warmed up to their sound much quicker than the previous band.  "Winners" caused every head in the pit to nod with perfect timing.  The combination of heavy rock numbers and lighter songs with sing-along melodies definitely turned some heads.  The bounce of "Knick Knack" under the dark red lights had me singing along all the way until the final note.  Their set seemed significantly longer than Wet Witch's quick spree and it ended with screams of "Mr. Dream!".

Once Mr. Dream left the stage, there was a decent wait until CSS would come out.  Although the majority of the audience was there to see Sleigh Bells, everyone was more than ready for CSS.  The entire venue roared when the lights went down.  Once CSS' Lovefoxxx ran onstage, the night changed completely.  She controlled the room with her wild antics, which included running through the crowd, spraying the room with everything she drank, and shedding her clothing.  When the opening beat of "Music Is My Hot Hot Sex" hit the air halfway through their set, everyone that wasn't already a CSS fan before the show was now converted.  Dance breakdowns during "Move" kept the night going at full speed.  The highlight moment of "Let's Make Love And Listen To Death From Above" transitioning into "Alala" topped off their set.  CSS had transformed a rock show into a dance party.

It was around 11:30 by the time CSS ended their set.  Sleigh Bells wasn't scheduled to take the stage until midnight.  This meant a long and restless wait was inevitable.  While many of the concert-goers wore CSS shirts, and some discovered new favorites in Wet Witch and Mr. Dream, it was clear that Sleigh Bells attracted almost everyone to the show.  The guitar amps, which took the shape of the giant wall, were pushed out closer to the edge of the stage.  The lights went out and after the first beat of the duo's "Iron Man" intro, the entire pit rushed forward causing the front rows to fall against the railing.  The now neon lights blinded the crowd.  Sleigh Bells had taken the night to another level.  Every strobe light was brighter and every noise was louder.  The crowd recited perfect lyrics back to Alexis Krauss, who donned a "SLAY BELLS" jersey over reflective and splattered leggings.  "Infinity Guitars" and "Rill Rill" were the crowd favorites.  Alexis surfed the pit, while guitarist Derek Miller sat on the rail during "Holly".


Sleigh Bells ended the night with a riot inducing rendition of "A/B Machines".  The back of the room surfed its way to the front.  People were thrown onto each other.  It was exactly how their music felt like it should be, chaotic and fun.  They played a fairly short set, about forty minutes which included almost every song that they had.  That didn't stop a group chant of "Sleigh Bells!" once the band left the stage.


The girl who told me to be ready for a crazy time was one hundred percent correct.  The concert, which let out at around 12:45, was explosive.  The glazed eyes and wide smiles were appropriate measurements of how hard the 9:30 Club was hit.  Each band played a completely different genre of music, but it only makes sense that they tour together since it was the raw energy that they all had in common.

Keep reading for more pictures of the show...

Wednesday, December 29, 2010

My Favorite Albums Of 2010: Part One

Neon Trees - Habits
My first taste of Neon Trees came from their single, "Animal".  I instantly fell in love with that song and soon after bought their debut album, Habits.  The album is my favorite debut from a band this year.  Every song comes complete with a massive sing-along chorus.  Tyler Glenn is a vocalist that gives his all, and you can hear it on the album.  My only complaint about this album is that it isn't longer.

Spoon - Transference
Transference is musically amazing.  Unlike some of the other albums on this list, it doesn't rely on any outlandish style or image.  Spoon's seventh album gets the award for best use of bass.  For full impact, you need to hear this album on a good set of speakers.  The groove of the bass adds so much to Transference.  The highlight of the album is the sequence of "The Mystery Zone", "Who Makes Your Money", and "Written In Reverse".


Semi Precious Weapons - You Love You
They promote their own "Filthy Glamour" form of music.  Their singer wears bigger heels than most female singers in their genre.  The opening line of You Love You is "I can't pay my rent, but I'm ****ing gorgeous".  Semi Precious Weapons released their second album while touring with Lady Gaga.  The band's vain lyrics and fabulous sense of style has helped them gain a devoted fan base, and make You Love You one of my favorite albums of 2010.


My Chemical Romance - Danger Days: The True Lives Of The Fabulous Killjoys
The album from the future, Danger Day: The True Lives Of The Fabulous Killjoys, is exciting from start to finish.  Narrated by Steve, Righ? (or Dr. Death Defying) the band takes on alter-egos in their musical story.  The lead single, "Na Na Na (Na Na Na Na Na Na Na Na Na)", is a good example of the album's explosive energy.  Danger Days is the complete opposite of what I expected from the band after their last album, The Black Parade.  They've gone from black and white to full, neon, and epic color.


Brandon Flowers - Flamingo
Leaving The Killers on a hiatus to release a solo album may have seemed like a terrible idea at first, but Brandon Flowers' Flamingo managed to avoid the curse of the failed solo career.  The album differs in style from The Killers, it's more acoustic at times which allows it to be vocally impressive.  Almost every melody on this album sounds like a possible track for the singer's former band.  Flamingo shows that Flowers can hold his own and release a pretty solid album while he's at it.  The album tends to shine the most during the pop centered singles, "Only The Young" and "Crossfire".


Sleigh Bells - Treats
Treats, another debut album, is loud and annoying in the best possible way.  Starting with the first blast of "Tell 'Em", Sleigh Bells have put together an album of marching beats, heavy metal guitars, and child-like vocals.  The entire album is a wild mess of fun.  If you don't sing along to Alexis Krauss' "oohs" and "uhs" on "Run The Heart", then you don't have the volume loud enough.  The constant stream of full power energy is extremely overwhelming, but that's what makes Treats so amazing.

Check back tomorrow for part two...

Friday, May 21, 2010

Sleigh Bells - Tell 'Em

Sleigh Bells is a hard band to fit into a box.  They dip into so many genres.  You may say that the cheerleader-like melodies make it pop, but the hardcore bass could also make it electro.  Add in the guitars that sound like an anthem, and you have a mess of styles.  That doesn't mean the music is literally a mess, though.  It actually works out.

Sleigh Bells is made up of Derek Miller and Alexis Krauss.  Miller plays the music, while Krauss sings.  The one characteristic that all of their music has, is distortion.  Every song is filled with fuzz.  It can be a little overwhelming at times, but at the right volume, it sounds great.  The right volume is, of course, as loud as it can get.  The louder you play their music, the more you'll enjoy it.

"Tell 'Em" is the opening song to their album, Treats.  The song has a continuous guitar riff that is the perfect counter to the pounding beat.  The heavy beat sounds like a cannon blasting.  Krauss' vocals are very airy and smooth.  She reminds me of an alternate version of M.I.A., as does the music.

Many would classify this song as "noise".  I wouldn't argue with them.  "Noise" is a fitting term, but the "noise" sounds great.  Their album, Treats, was released earlier this month.  I would get it if you like really heavy pop or electro music.  Sleigh Bells have made a strong entry into the music industry with critical praise.  You should see what all the talk is about.